IN FOCUS LECTURE SERIES

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VIRTUAL TALK: Making the Invisible Visual with Anna Grossinger

Sunday, Mar. 9, 3 - 4:30 pm - Zoom Link to Watch Lecture

 


 

In this virtual lecture offered through Zoom, Grossinger will discuss photographing the invisible, using documents and ephemera in long-form visual projects, and mixing family lore with historical memory. Grossinger explores Guatemalan history through the lenses of power, identity and memory in her new book, Serpent Tongue, which weaves together personal memoirs, archival imagery, and portraits. Lecture will be followed by a Q&A.

In 1954, during the height of the Cold War, the CIA carried out a coup to overthrow the first democratically-elected president in Guatemala. In the months leading up to the coup, the CIA Station Chief in Guatemala City was Grossinger's grandfather--a man who died long before she was born, but whose presence loomed like a mythological creature throughout much of her childhood.

Annie Grossinger is a documentary photographer, writer, and photo editor in Brooklyn, NY. Grossinger is a photo editor and project manager and graduated from Lehigh University with a B.A. in Journalism and History. She was awarded a “Director’s Scholarship” to attend the Documentary Practice & Visual Journalism program at the International Center of Photography (ICP). Her work focuses on long-term visual projects surrounding the carceral system, global health, and the effects of government policy on communities. She’s particularly interested in humanizing complex systems to drive a deeper connection. Most recently, Grossinger published a photo book, Serpent Tongue, with Daylight Books.


Website: www.anniegrossinger.com


VIRTUAL TALK: Pigment Painting - Introduction to Process, Material, History, Pt. II

Sunday, Apr. 27, 3 - 4:30 pm - Zoom Link to Watch Lecture


In part two of this virtual lecture, artist Gunjan Chawla Kumar will introduce students to the process, material, and history of painting with organic and inorganic pigments, shedding light on important schools derived from prehistoric cave art, such as Nihonga, Japanese traditional paintings, Thangka, Tibetan Buddhist painting, and Indian miniature paintings. Lecture will be followed by a Q & A.

Join Zoom Meeting
https://us02web.zoom.us/j/87117671854?pwd=db5jvczLm8vC8jo90TnUhLSX0xqbJB.1

Meeting ID: 871 1767 1854
Passcode: 365032


Gunjan Chawla Kumar is an American-Indian artist living and working in Chicago. Kumar was born in Punjab, India in 1980, and moved to the United States in 2011. She is a materialist and works widely with various pigments and textiles from around the world, as she has spent many years traveling through India and other countries in South Asia, observing age-old practices in textiles and indigenous arts. Her interest in archeology, particularly prehistoric cave paintings and related schools of art that she has been researching for many years, play an important role in carving her process and ideology.

Kumar is a textile graduate from National Institute of Design and Technology, New Delhi (2003) and holds a Bachelor’s in Arts from DAV College, Chandigarh, India (2001). Her works have been exhibited and are a part of noted private collections globally - Art Dubai, UAE, TEDx, Chicago, Ukrainian Institute of Modern Art, Donnelley Foundation, Chicago Artist Coalition, South Asia Institute in Chicago, National College of Arts, Lahore, India Art Fair, among others. She is currently a Resident at the Chicago Art Department and has formerly been a Resident Fellow at the Edward Albee Foundation, Montauk. Her works are apart of public and private collections worldwide.

Website: www.gunjankumar.com

 



PAST
 

2025

Pigment Painting - Introduction to Process, Material, History, Pt. II

 

2024

Eden Juron Pearlman: Bringing the WPA Home to Illinois and Evanston

Making a movie that was seen in outer space with filmmaker and Evanston native Sarah Moshman

Duality Is Inherent within a Unified Whole with Julie Rotblatt Amrany

Landscape in Light: The Art Institute's Tiffany Memorial Window with Rachel Sabino

Hollis Clayson, The Dark Side of the Eiffel Tower

The Artistic Practice of Marion Mahony Griffin, Enviromentalist and Architect Featuring Debora Wood

Encouraging Young Artists on to Higher Education: The Latino Art Beat Story
 

2023

Dorothy Marks, How I Wrote a Book

Rebecca Keller What Color is the Sea? What Color is the Sky

In Focus Lecture Series: Film Premiere - At Home in Evanston: Diverse Perspectives of Our City

Sharon Hoogstraten, Dancing for Our Tribe: Potawatomi Tradition in the New Millennium

In Conversation with Shonna Pryor and Matt Morris

Joyce Marter, The Financial Mindset Fix for Artists: How to Change Your Money Story to Welcome Greater Prosperity

Debora Wood, Echoes: Contemporary Trends in Printmaking
 

2022

Cortney Lederer: How Art is Getting Us Through the Pandemic

Nika Levando: Mural Commissions on the South Side of Chicago - Lessons Learned

Ignatius Valentine Aloysius: Digging Deep into Revision

Poems While You Wait: A Panel Discussion on Poetry on Demand

Katrin Schnabl: Portal

LP "Larry" Lundy: Journey Through an Artist's Life

Onyx Montes: Playing with Pay

In Conversation with Connie Noyes and Tricia Van Eck
 

2021

Holly Clayson: Modern Art and Light/s

Rebecca Zorach: Abolition Art

Alpha M. Bruton & Liza Simone: Pop-Up Research Station

Cindi Strauss: Exploring Contemporary Ceramics: Shifting Tastes and New Expressions

Rachel Sabino: The Inner Life of a Bronze Dionysos

Tanner Woodford: Designing a New Museum

Julius L. Jones: City on Fire: Chicago 1871

Donna Gabanski and Joan Winstein: Chicago Architecture Center Docents
 

2020

Richard Townsend: The ABCs of Art Collecting

Angela Tate: That's What A Song Can Do

Dan Hill: The Inside Scoop on How We Experience Art

 


 

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